All my life I have loved the out of doors—especially wild places. There is something unpredictable about wild terrain, exciting, a little risky. It is also why I am drawn to abstract painting. It is the unexpected that delights: a wildflower pushing up through decaying leaves, an accidental smear on the canvas that leaves a beautiful mark I did not try to make. These are gifts that satisfy me.
Just like a forest, an abstract painting grows into itself and cannot be known ahead of time: it is a call and response, moment by moment, and can never be replicated (although I have unsuccessfully tried). My painting process starts with spontaneous mark-making, then the laying on of bold shapes, followed by layers of acrylic or oil paint that I draw into and scrape away. Once an interesting line or color pulls the painting in a direction I want to follow, I build the layers of paint more deliberately into a composition that incorporates both the quiet expanse and bountiful energy of the wilderness I love.
The process of naming a painting is also important to me. I want the name to be a window into the painting that also allows the viewer to move anywhere else they want to go. I often spend a lot of time looking at a painting, engaging in an intuitive process of association until a word or idea pulls me toward a name that feels right. Playing with words is similar to exploring with paint: it is the unexpected that moves me.
My work has been shown in galleries across the West Coast and has been collected nationally.
Dynamic abstract landscapes. Please visit my updated website for available paintings. Smaller works are on sale!
Selected Solo and Two-person Exhibitions
Selected Group Exhibitions